Fuck a Gone Girl, we out here doing lines with Martin Short.
"We are not nouns, we are verbs. I am not a thing – an actor, a writer – I am a person who does things – I write, I act – and I never know what I am going to do next. I think you can be imprisoned if you think of yourself as a noun."
- Stephen Fry
In further contrast from that HBO juggernaut, Outlander puts sexuality front and center, rather than utilizing a character’s attitude toward sex as shorthand characterization in regards to morality. Neither does it cheapen the value of sex in storytelling by using it as a constant backing track, as Game of Thrones has coyly done to entertain the male gaze during scenes of protracted exposition. Outlander approaches sex in a way that’s only shocking because it isn’t shocking at all. It’s non-violent, sensual, natural, and the woman is framed as more than an object for male pleasure. Female sexuality isn’t demonized, and engaging in sex doesn’t diminish Claire as a character. Outlander is the rare television drama that shows us a woman who is sexually experienced without being the villain of the piece, and a man who sees her desire and pleasure as a participatory experience, rather than an object to edify his own importance.
Outlander and the Female Gaze: Why Women Are Watching